Current Past Upcoming
CHRIS SUCCO: The Soft Machine15.03.2013 - 27.04.2013
LAPSES : Olga Cafiero, Clare Kenny, Sebastien Verdon
18.01.2013 - 02.03.2013
SARAH CROWNER: Geometric Park
02.11.2012 - 11.01.2013
THOMAS BONNY: I'm Still Here
14.09.2012 - 27.10.2012
RUBY SKY STILER: A Punch, a Blade, a Pointed Hammer
04.05.2012 - 28.06.2012
LA LOGE curated by Denis Pernet
16.03.2012 - 14.04.2012
HADRIEN DUSSOIX: Disclosed Process
20.01.2012 - 10.03.2012
JEAN-BAPTISTE BERNADET: Réservoir
19.11.2011 - 14.01.2012
LAURENT KROPF: Allegro ma non troppo
16.09.2011 - 12.11.2011
DARK VISION: Group show
08.07.2011 - 03.09.2011
JOSSE BAILLY: Put Your Brushes Where I Can See Them
20.05.2011 - 02.07.2011
CHRISTIAN GONZENBACH: Holometabolic
18.03.2011 - 14.05.2011
UNDER CONSTRUCTION: Group show
21.01.2011 - 12.03.2011
EVAN GRUZIS: Rough Boy
13.11.2010 - 15.01.2011
GARY SIMMONS: Double Feature
17.09.2010 - 06.11.2010
FURER & SERRATI: Perpendicular to the Galaxy
21.05.2010 - 15.07.2010
HADRIEN DUSSOIX: Beyond Good & Evil
19.03.2010 - 08.05.2010
HENRIK STROMBERG: Vanishing
22.01.2010 - 06.03.2010
DAVID MALEK: Safety Yellow
13.11.2009 - 16.01.2010
ROBERT LONGO: No Wave
18.09.2009 - 07.11.2009
GEAN MORENO & CELINE PERUZZO: Gardy Loo!
15.05.2009 - 04.07.2009
JOYCE KIM: Paintings
20.03.2009 - 07.05.2009
ROMINA SHAMA: Run
04.12.2008 - 24.01.2009
JOSSE BAILLY: Hard Attack
30.10.2008 - 29.11.2008
SAKS presents the first solo show in Switzerland of New York artist Gary Simmons: Double Feature.
The work of Gary Simmons draws its thematic in the depths of American culture. 1930's cartoons, classic horror movies or blockbusters – the hegemony of white American culture is mediated by a mainstream culture that is nowadays globalized. The messages implied in the images seen by the viewer allow a second lecture, which, if not directly perceptible, will yet be the one remaining in the blurr of the memory.
On monochrome surfaces, reminiscences of school's blackboards, symbols of the education given by the schoolmaster, Gary Simmons traces his chalk like drawings, before partially erasing them with his fingertips or a simple hand gesture. The shape disappears but remains visible. The paint on the canvas or the charcoal on the paper create streaks similar to the vortex of a cyclone, or flammes of fire, around the object. The initially static image becomes dynamic through the erasure process, which enhances the creative act : the work seems to be the residue of a performance the viewer did not attend.
Ghosts in motion, sliding over canvas or paper, alike souvenirs hauting our memories, Gary Simmons' paintings are like apparitions : they are fragments of memories back from our subconscious.







