Current Past Upcoming
CHRIS SUCCO: The Soft Machine15.03.2013 - 27.04.2013
LAPSES : Olga Cafiero, Clare Kenny, Sebastien Verdon
18.01.2013 - 02.03.2013
SARAH CROWNER: Geometric Park
02.11.2012 - 11.01.2013
THOMAS BONNY: I'm Still Here
14.09.2012 - 27.10.2012
RUBY SKY STILER: A Punch, a Blade, a Pointed Hammer
04.05.2012 - 28.06.2012
LA LOGE curated by Denis Pernet
16.03.2012 - 14.04.2012
HADRIEN DUSSOIX: Disclosed Process
20.01.2012 - 10.03.2012
JEAN-BAPTISTE BERNADET: Réservoir
19.11.2011 - 14.01.2012
LAURENT KROPF: Allegro ma non troppo
16.09.2011 - 12.11.2011
DARK VISION: Group show
08.07.2011 - 03.09.2011
JOSSE BAILLY: Put Your Brushes Where I Can See Them
20.05.2011 - 02.07.2011
CHRISTIAN GONZENBACH: Holometabolic
18.03.2011 - 14.05.2011
UNDER CONSTRUCTION: Group show
21.01.2011 - 12.03.2011
EVAN GRUZIS: Rough Boy
13.11.2010 - 15.01.2011
GARY SIMMONS: Double Feature
17.09.2010 - 06.11.2010
FURER & SERRATI: Perpendicular to the Galaxy
21.05.2010 - 15.07.2010
HADRIEN DUSSOIX: Beyond Good & Evil
19.03.2010 - 08.05.2010
HENRIK STROMBERG: Vanishing
22.01.2010 - 06.03.2010
DAVID MALEK: Safety Yellow
13.11.2009 - 16.01.2010
ROBERT LONGO: No Wave
18.09.2009 - 07.11.2009
GEAN MORENO & CELINE PERUZZO: Gardy Loo!
15.05.2009 - 04.07.2009
JOYCE KIM: Paintings
20.03.2009 - 07.05.2009
ROMINA SHAMA: Run
04.12.2008 - 24.01.2009
JOSSE BAILLY: Hard Attack
30.10.2008 - 29.11.2008
SAKS presents the pigment on paper works of the young Swedish Berlin based artist Henrik Strömberg.
"The works presented deal with the idea of deconstruction of the photographic image, or the transformation of the photograph and its role as referent to time and place - the intention is to shift what is represented and through combinations of images, that are similar but gathered from different sources, create a temporary entropy through the recontextualizing of the subjects; Thus unfolding the potential of narrative supported by the use of text as image and ultimately images as text.
As a starting point I work with two different approaches; first using photography as a method of study, and second using photography to make a series of conceptually related works. It is from these two approaches that I explore the relationship between the narrative and the monumental. This is realized in the selection and presentation of works for exhibition. I do this by creating a sequence of images from the library of various studies and series of works I have done. In the exhibition of these photographs, I require the viewer to find a particular rhythm within the variety of works presented. The space from one image to the next can be as important as the image itself. Often, I combine seemingly disparate images to create a sense of temporary entropy interrupting the expected narrative with the intention to create a larger experience, discovery or surprise.
The subjects of my imagery, depicting scenes, spaces, elements, figures, or abstract shapes are less significant than my wish to prompt a deeper sense of reflection, a grasp of the intangible, or a glimpse of the other."
-- Henrik Strömberg







